EQ: Meeting Client Requests with Emotional and Technical Awareness
When mixing engineers are asked to make something sound or feel a certain way, EQ is very often the answer. It’s therefore helpful for engineers to integrate three things:
(1) the words musicians use to describe sounds
(2) the emotions associated with those sounds
(3) the EQ moves that get you the desired sound and feel
Below is my attempt at this integration for common EQ-related notes, with an example for each.
“Make it thicker”
Feelings: Strong, impactful, present
Target Band: Low, low-mid
Consider: Boosting 20-500 Hz
Example: Thickness adds body to a bass or guitar
“Make it warmer”
Feelings: Intimate, enveloping, comforting
Target Band: Low-mid
Consider: Boosting 200-500 Hz (or cutting above that)
Example: Warmth adds presence to a lead vocal
“Make it less muddy”
Feelings: Unfocused, unresolved
Target Band: Low-mid
Consider: Cutting 200-500 Hz
Example: Clearing out mud brings focus to a bass
“Make it less boxy”
Feelings: Constrained, confined
Target Band: Low-mid
Consider: Cutting 200-500 Hz
Example: Removing boxiness brings clarity to a vocal
“Make it less harsh”
Feelings: Painful, piercing
Target Band: Upper-mid
Consider: Targeted cuts at 2-8 kHz (often with dynamic EQ)
Example: De-essing a vocal eliminates harsh sibilance
“Make it brighter”
Feelings: Energetic, exciting, close
Target Band: Upper-mid, treble
Consider: Boosting 6-20 kHz (or cutting below that)
Example: Brightening a guitar adds excitement
“Make it darker”
Feelings: Subdued, distant
Target Band: Upper-mid, treble
Consider: Cutting 3-20 kHz
Example: Darkening a pad makes it more distant
“Make it more airy”
Feelings: Light, free, open
Target Band: Treble
Consider: Boosting 10-20 kHz (or cutting below that)
Example: Adding air to hi hats and cymbals makes them more open
“Make it smoother”
Feelings: Relaxing, comforting, soothing
Target Band: All
Consider: Control any frequency spikes (often with dynamic EQ)
Example: Controlling frequency spikes on a piano makes it more soothing